Author Archives: Jane Porter

Woodcut printing day

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As an admirer of classic woodcut artists like Thomas Bewick and Robert Gibbings, I have wanted to try my hand at the medium for a while – and I got the chance on Saturday at a workshop at the London Print Studio run by printmaker Jonathan Ashworth.

I made two blocks, based on photos of reeds and marginals I took last summer on the upper Thames, intending to layer them – though when it came to printing they seemed to work better separately. I tried all sorts of colour combinations and paper types, printing a dark background with a stencil moon for some and for others cutting a fluorescent circle and sticking it to the paper as a background. I’ve done lino-printing before at home, using the back of a spoon to apply the pressure for the print, but using a proper press is so much better – I tightened up the handle quite hard on a few and ended up with a bit of embossing which I like.

My original plan was to use the prints as collage materials for my upcoming exhibition, Skim Sky Blue, but I’m now planning to make a lot more blocks (using lino this time), book some studio time at the LPS, and produce some Thames-inspired slightly abstract prints that way.

Jonathan showed us a DVD during the lunch break about contemporary woodcut print-makers, and I particularly liked the collage-y abstract approach of Peter Lawrence. An inspiring day all round – thanks Jonathan and LPS.

 

The illustrated streets of Palma

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These inventive, colourful and sometimes a little bit disturbing images are all street art/graffiti in a tiny corner of Palma, Mallorca – I have never seen such a visually exciting, free outdoor gallery. I particularly like the Titanic in a teacup, and the creature in an Elizabethan ruff cutting off its tongue. The woman in an apron is actually made out of brown paper stuck to a door – not something that would last long in the rainy UK.

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Skim Sky Blue

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From 2 – 18th May I’m going to be holding an exhibition at The Art Cabin gallery in Southfields, London, inspired by the river Thames. I’m still at the planning and researching stage, but you could say I have been researching it all my life as I’ve always loved the river and spend as much time as possible on it, in it or beside it. Last summer I sculled from Lechlade to Teddington in a traditional Thames skiff (about 120 miles), and also walked the upper, non-navigable parts from the source back through Cricklade. As well as soaking in the sounds and smells of the river I took dozens of photos, and have been using these for reference to draw lots of thumbnails of different aspects of the river. I’ve been preparing surfaces with oil paint and other media for making some collaged work. (I’ve got an excellent colour a friend gave me – it’s Gamblin Torrit Grey, the colour they create when they mix together all the leftover bits of paint in the factory. And it’s exactly the colour the Thames is in winter – perfect!)

Tate Britain has also been a good source of inspiration – I’ve been looking at Thames scenes by Turner, Whistler and Walter Greaves. Very interesting to see all Turner’s sketchbooks and colour trials too. I’ve also been looking at John Piper’s collages from the 1930s.

The exhibition will be called Skim Sky Blue, which is actually a quote from Charles Dickens that I came across while researching a family trail for Kew Bridge Steam Museum. Dickens visited the pumping station in 1850 to write an article in his magazine, Household Words, and when offered a glass of untreated Thames water he said it looked like “a dose of weak magnesia, or that peculiar London liquid known as ‘skim-sky-blue’ but deceitfully sold under the name of milk”. Although he didn’t mean it as a compliment, to me it sounds just right – a little bit ethereal and rather poetic.

Wearing Joyce Grenfell’s shoes

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I’ve never been to an auction before, but yesterday, early for a meeting in Oxford, I happened to see a poster for a viewing of vintage fashion at Mallams Auctioneers – and went along for a look. I fell in love with these burnt orange satin pumps, which belonged to the comedienne and actress Joyce Grenfell,  a national treasure no less! I tried them on and they were a perfect fit, so this morning I went along to the auction and with beating heart put in a bid or two. I was thrilled to win them, and the original drawing which went with them. But I will be keeping them strictly for very special, indoor only occasions.

What made the occasion even more special was meeting Joyce Grenfell’s biographer Janie Hampton (who was selling the shoes and other things) and actress Cheryl Knight, who was bidding against me! But she was happy as she had bought Joyce’s hat, and the three of us had a cup of tea together after the auction. Cheryl is in a production which I would love to see, ‘Turn Back the Clock’ – she performs Joyce’s monologues superbly (I’ve seen the video clip). And she also looks after the shoes at the Royal Opera House – what a lovely job! Next move, to read Joyce Grenfell’s autobiography…

 

Furious river lions

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Urban exploring is one of my favourite activities, and yesterday I set out for Vauxhall with my artist friend Jill to do some sketching. Icy winds made drawing difficult, but we found plenty of interesting things to look at. Just below the MI5 building are some very angry looking lions. Judging from the tide marks, they must get water up to their noses twice a day which might account for the bad temper. Jill gathered some interesting flotsam (or should that be jetsam?) and we peered at some debris in a dock before stumbling on the old Doulton building, an astonishingly ornate edifice where every surface is decorated with heavily patterned ceramic tiles. It was also a great opportunity to get some inspiration for my forthcoming Thames exhibition, with a bright cold sky and gulls wheeling overhead.

Why are lines lines?

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I’ve started this year with a craving to experiment more with non-digital artwork, and it’s been a great pleasure spreading out tubes of goache, colourful inks and tiny watercolour pans. I’m even trying working without black lines – for these two lions I used orange waterproof ink, then used a mix of watercolour, goache and coloured pencil, and finished by adding some texture with a home-made rubber stamp. I like the way it’s not too polished.

Thinking about lions reminded me of something in one of the ‘Reginald Perrin’ books by David Nobbs, which I read many many years ago…for some reason I never forgot a scene where Reggie had gone to a safari park with his grandchildren, and one of them looked at the lions and asked “Why are lines lines?”. It amused me then and it still does, something about the complete un-answerability of it, the funny phonetics, and the fact that it’s actually such a good question.

Inky winter cormorants

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Cormorants are one of my favourite birds – I love their craggy profile and their habit of standing rather awkwardly with their wings out, soaking up any winter sun that’s available. I was always very fond of Graculus in the Noggin the Nog stories – it’s never entirely clear what species he is, but he must be closely related to the cormorant family.

There are so many of these magnificent creatures on the Thames these days, particularly in winter, and there’s a particular tree on Stephens’ Eyot just downstream of Kingston that always has quite a group of them perched in its branches. I watched some diving near Chiswick the other day – they whirl round like a Catherine wheel on a pivot before they disappear underwater, often for quite a long time.

Dawdling on the towpath is all part of the preparation I’m doing for the exhibition I’ll be holding at The Art Cabin this May – it’s inspired by the river Thames, and I’ll be posting lots more about this as things develop. I’m looking forward to experimenting with collage and paint, and also to learning how to make woodcuts at the London Print Studio.

The Ones That Got Away

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A couple of years ago I developed a project for a publisher with a pair of books full of holes – Peepholes: Paws and Claws and Peepholes: Fins and Flippers. The idea was that the child reading would spot a tiny bit of an animal through a hole in the page, then turn over to see if they had guessed what it was correctly. It was great fun but a very very fiddly job getting the holes to appear in the right places – so that you could see just enough without it cutting into the image on the left-hand part of the spread.

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Despite the publisher’s enthusiasm, sadly when the books went to Frankfurt and Bologna they didn’t get any co-editions, and therefore became financially unsupportable (the holes add to the production costs). The word was that it was too sophisticated for a very young audience, yet too simple for older children. We even re-formatted it to be simpler and squarer, with fewer holes – but still the international buyers didn’t bite, and unfortunately the book wasn’t to be. But I’m still proud of the project, and I thought enough time has now passed to show some of the spreads from the book here. The yellow spread with the moose is an early version – the publisher said these animals were too ‘educational’ so I re-drew them in a less realistic way. Looking back though, I think I prefer this original version. I’m rather fond of the cheeky monkey playing the guitar.

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I was experimenting a lot with textures at the time – in the spreads shown here there’s some sawn timber, a view of the skyline in Berlin, gravestones in Hackney and windfall golden plums. Every picture tells a story! I do feel sad that this book never saw the light of day, but at least I did get paid. And I certainly learned a great deal from the experience – not least, that nothing is ever certain.

 

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Happy New Year!

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Two magpies to wish joy to everyone in 2014. I drew them for my friends’ little boy who has developed a love of magpies, and his parents wanted to make him a magpie T-shirt for Christmas – looking forward to seeing him wearing it this year…