Category Archives: Illustration

Skim Sky Blue

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From 2 – 18th May I’m going to be holding an exhibition at The Art Cabin gallery in Southfields, London, inspired by the river Thames. I’m still at the planning and researching stage, but you could say I have been researching it all my life as I’ve always loved the river and spend as much time as possible on it, in it or beside it. Last summer I sculled from Lechlade to Teddington in a traditional Thames skiff (about 120 miles), and also walked the upper, non-navigable parts from the source back through Cricklade. As well as soaking in the sounds and smells of the river I took dozens of photos, and have been using these for reference to draw lots of thumbnails of different aspects of the river. I’ve been preparing surfaces with oil paint and other media for making some collaged work. (I’ve got an excellent colour a friend gave me – it’s Gamblin Torrit Grey, the colour they create when they mix together all the leftover bits of paint in the factory. And it’s exactly the colour the Thames is in winter – perfect!)

Tate Britain has also been a good source of inspiration – I’ve been looking at Thames scenes by Turner, Whistler and Walter Greaves. Very interesting to see all Turner’s sketchbooks and colour trials too. I’ve also been looking at John Piper’s collages from the 1930s.

The exhibition will be called Skim Sky Blue, which is actually a quote from Charles Dickens that I came across while researching a family trail for Kew Bridge Steam Museum. Dickens visited the pumping station in 1850 to write an article in his magazine, Household Words, and when offered a glass of untreated Thames water he said it looked like “a dose of weak magnesia, or that peculiar London liquid known as ‘skim-sky-blue’ but deceitfully sold under the name of milk”. Although he didn’t mean it as a compliment, to me it sounds just right – a little bit ethereal and rather poetic.

Why are lines lines?

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I’ve started this year with a craving to experiment more with non-digital artwork, and it’s been a great pleasure spreading out tubes of goache, colourful inks and tiny watercolour pans. I’m even trying working without black lines – for these two lions I used orange waterproof ink, then used a mix of watercolour, goache and coloured pencil, and finished by adding some texture with a home-made rubber stamp. I like the way it’s not too polished.

Thinking about lions reminded me of something in one of the ‘Reginald Perrin’ books by David Nobbs, which I read many many years ago…for some reason I never forgot a scene where Reggie had gone to a safari park with his grandchildren, and one of them looked at the lions and asked “Why are lines lines?”. It amused me then and it still does, something about the complete un-answerability of it, the funny phonetics, and the fact that it’s actually such a good question.

Inky winter cormorants

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Cormorants are one of my favourite birds – I love their craggy profile and their habit of standing rather awkwardly with their wings out, soaking up any winter sun that’s available. I was always very fond of Graculus in the Noggin the Nog stories – it’s never entirely clear what species he is, but he must be closely related to the cormorant family.

There are so many of these magnificent creatures on the Thames these days, particularly in winter, and there’s a particular tree on Stephens’ Eyot just downstream of Kingston that always has quite a group of them perched in its branches. I watched some diving near Chiswick the other day – they whirl round like a Catherine wheel on a pivot before they disappear underwater, often for quite a long time.

Dawdling on the towpath is all part of the preparation I’m doing for the exhibition I’ll be holding at The Art Cabin this May – it’s inspired by the river Thames, and I’ll be posting lots more about this as things develop. I’m looking forward to experimenting with collage and paint, and also to learning how to make woodcuts at the London Print Studio.

The Ones That Got Away

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A couple of years ago I developed a project for a publisher with a pair of books full of holes – Peepholes: Paws and Claws and Peepholes: Fins and Flippers. The idea was that the child reading would spot a tiny bit of an animal through a hole in the page, then turn over to see if they had guessed what it was correctly. It was great fun but a very very fiddly job getting the holes to appear in the right places – so that you could see just enough without it cutting into the image on the left-hand part of the spread.

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Despite the publisher’s enthusiasm, sadly when the books went to Frankfurt and Bologna they didn’t get any co-editions, and therefore became financially unsupportable (the holes add to the production costs). The word was that it was too sophisticated for a very young audience, yet too simple for older children. We even re-formatted it to be simpler and squarer, with fewer holes – but still the international buyers didn’t bite, and unfortunately the book wasn’t to be. But I’m still proud of the project, and I thought enough time has now passed to show some of the spreads from the book here. The yellow spread with the moose is an early version – the publisher said these animals were too ‘educational’ so I re-drew them in a less realistic way. Looking back though, I think I prefer this original version. I’m rather fond of the cheeky monkey playing the guitar.

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I was experimenting a lot with textures at the time – in the spreads shown here there’s some sawn timber, a view of the skyline in Berlin, gravestones in Hackney and windfall golden plums. Every picture tells a story! I do feel sad that this book never saw the light of day, but at least I did get paid. And I certainly learned a great deal from the experience – not least, that nothing is ever certain.

 

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Happy New Year!

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Two magpies to wish joy to everyone in 2014. I drew them for my friends’ little boy who has developed a love of magpies, and his parents wanted to make him a magpie T-shirt for Christmas – looking forward to seeing him wearing it this year…

Crayons, pom-poms and bananas – the launch is done!

Pencils, glue sticks and pom-poms have been thoroughly deployed in two launch events to mark the publication of This Rabbit, That Rabbit. Many thanks to Under The Greenwood Tree and Salt and Pepper for hosting the two events, which involved a colouring and collage activity overseen by the friendly giant velvet rabbit. Little pots of strawberries and bananas were the perfect accompaniment at Salt and Pepper, with cappucino for all the adults.

Lovely Sue and John at Salt and Pepper couldn’t bear to part with their window-display rabbit, so I’ve changed to message to read ‘signed copies available here’ and he will stay at the cafe for now. Now I’m off to my local library to give them a copy for their weekly ‘Rhyme Time’ sessions.

Publication day

Today is publication day for my Baby Walker board book, This Rabbit, That Rabbit. It’s the first book I have done that’s all my own pictures AND words (though there aren’t very many of them…) so it’s a thrilling moment. I had the idea for the book several years ago from watching our pet rabbits – they used to lie very flat with their feet stretched out behind them when they were feeling particularly contented. And one of them was slightly on the large side. More recently I dug the idea out again and came up with some words that sounded good together and which would give me an excuse to draw some funny pictures.

There’s a launch event today in Clapham and another tomorrow in Southfields – all the details are in the previous post, here.

A long-eared launch

Guests enjoying the nibbles at an exclusive launch party for my brand new baby book, This Rabbit, That Rabbit, published by Walker Books this Thursday.

Human guests are welcome to come along to two free, drop-in launch events this week: the first is at Under The Greenwood Tree, a lovely children’s bookshop in Clapham, from 10-11am on Thursday 7th November, and the second is on Friday 8th November at a delightful cafe in Southfields, Salt and Pepper – also from 10-11am.

I’ll be there to help under 5s make a rabbity souvenir to take home – all welcome! I’ll also be bringing my velvet rabbit character. Both venues sell delicious cofffee and cakes!

Under the Greenwood Tree is at 11 The Polygon, London SW4 0JG

Salt and Pepper is at 177 Replingham Road, London SW18 5LY

A bit of a bookshop

I’ve just had a bulk delivery of my new books – it’s lovely to see a big pile of them after all this time in the making. ‘This Rabbit, That Rabbit’ will be published on 7th November by Walker Books.

This is the official description: “This rabbit, that rabbit … fat rabbit, flat rabbit this is a book starring two fabulous rabbits. (And an armadillo!) This new title in the Baby Walker range uses simple word play to encourage early literacy and its tactile pages and humorous illustrations will start your child on a journey to a lifelong love of books.”

I’m having a little launch-style activity morning to celebrate at the Under The Greenwood Tree Bookshop in Clapham from 10-11 – rabbit-themed craft activities for under 5s, so do drop in if you are nearby.

Meanwhile Twit, the Orion early reader by Steve Cole, is out now and there is currently a crafty competition happening – Knit Twit! Details are on the Orion Facebook page, and you have until the end of October to make your own little blue owl. Good luck!