Once a week I run a one-hour art class for under 5s. It’s attended by a group from a local nursery, and there is no nicer sound than hearing the children laughing with excitement as they come along the corridor towards my room. It’s great fun to spend time with three-year-olds – they are such charming, funny and entertaining people. It’s lovely to dip into a world where the only problem is whether to play ‘Wheels on the Bus’ or ‘Bananas in Pyjamas’ at the end – this choice seems to be loaded with a great deal of emotional significance and has been known to cause tears.

I’ve filled a noticeboard in the room with past projects – they are usually collage-based and inspired by a different picture book each week, which I then read to the class. Can you spot work inspired by Petr Horacek, Jenni Desmond, Karin Littlewood, Leigh Hodginson, Ed Vere, Yasmeen Ismael, Neal Layton and Chris Haughton?

I make a lot of use of novelty hole punches from Blade Rubber, a shop just near the British Museum – they have a tremendous range to choose from, with leaves, stars and flowers being especially useful.

I’ve had another lovely afternoon with the “Recycled Teenagers” – the Over 55s group at National Trust property Sutton House in Hackney. We were making decoupage plates with a message, loosely inspired by the campaigning work of Baroness Lawrence of Clarendon (Doreen Lawrence). I invited everyone to think of a simple campaign slogan expressing something close to their heart, and create a suitable background with images from magazines. The results were fantastically varied and very inspiring.

Yesterday was the official launch of the Black History Month exhibition I’ve been involved with at Sutton House, a Tudor National Trust property in Hackney. The project began for me when I designed a set of commemorative stamps for nine Influential Black Londoners, which go with letters written by historian Miranda Kaufmann based on research by a team of volunteers led by Patrick Vernon OBE.

The second part of the project has now started, where I run a weekly workshop based on each of the historic figures with a different local primary school. The first looked at Henry VIII’s trumpeter, John Blanke, and the children each made a woven paper square with their own invented heraldic emblem on it, which I’ve mounted as a group hanging from a trumpet. Then the children each wrote a letter to John Blanke, and posted it in the giant envelope. Week 2 looked at the Lascars, and we had a total of 60 children making paper boats to represent the cargo-laden ships the Asian sailors travelled on. I like the one with the tiny lifeboat on board.

The exhibition will continue to grow each week until the end of November.

I’ve just spent two days in the Elephant and Castle, at London South Bank University with 9-13 year-olds from various local schools. It was all part of ShoutSouth!, a children’s writing festival organised by CWISL (Children’s Writers and Illustrators in South London). All sorts of writers and illustrators for young people ran workshops aimed at getting the children enthused about writing stories – and the pencils were flying! Many exciting stories emerged in the group I was with, and my job was to get them to design covers for their master-works in the final session.

To begin the workshop I showed everyone a set of images from the fantastic 50 Watts website, which is a tremendous resource for those interested in the history of graphic design. Recently they posted the results of a competition to design book covers influenced by Polish designers of the 50s and 60s, and I thought these could act as a good point of inspiration with their bold designs, simple lines and striking colour choices. A small selection of the children’s work is shown above: I specially like the highly ornate golden treasure chest watched by a sinister pair of red eyes, and the cover for ‘Waiting for the Wind’ where a whole village is encased in a bell jar with mysterious footsteps leading out of it. The bottom-left cover is for an as-yet untitled work about a homeless man and his dog, and the cover really sets the scene for a sense of urban alienation. ‘The Soul Keeper’ tells of a tribe who have seahorses tattooed on the back of their skulls, while ‘Shhhh…’ is about a carved elephant containing secrets of the French revolution. Meanwhile ‘The Giant Mutant Monkey’ has a secret weapon – pinecones which are filled with tiny knives.

It was great fun working with everyone, children, authors and illustrators, and I hope one day I will be able to read the full stories.

I’ve been doing a series of education workshops at The Mall Galleries with different visiting schools from Lambeth. The children get to talk about paintings, choose a character from a piece of work in the current exhibition, then make their own book featuring doors into other worlds. The children have been so enthusiastic, it’s been great working there.