I spent this morning at Sacred Heart Primary School, Battersea, at a very well organised careers fair. People representing different careers had volunteered to sit at a table and answer questions about their work – the range of jobs represented was truly extraordinary, ranging from architect, gas engineer, and British Airways cabin crew to DJ, Formula 1 engineer, and my personal favourite: insurance broker, dancer and professional roller skater (yes, that’s one person). There was also a rock star mentor! I was most impressed with the school for laying on such an inspiring event for children from 8-11

It was great fun answering the children’s questions about life as an illustrator, and they were very perceptive. I showed them how a book is developed from roughs to finished work, and showed them my ideas notebook. One girl showed me her own sketchbook, which was lovely to see.

Many thanks two my two assistants, Katie and Caroline, who kept me supplied with cups of tea, croissants, grapes (white AND red) and jammie dodgers throughout. I am looking forward to seeing some books by some of these young artists in the future…

Last week I went to Bologna Children’s Book Fair for the first time – a visually overwhelming experience not just for the amazing array of children’s books from all over the world, but the wonderful architecture of the city itself – this picture shows the shadow cast at night by the statue of Neptune in the main piazza.

The exhibition of illustrators’ work was stunning, and unbelievably varied…I was particularly taken with the work of Spanish illustrator Violeta Lopiz, for her dreamy layers of vegetation, and the dancing grasshoppers of Ana Valero Rello, also from Spain but very different in style. I also loved the warm rolling fields of Fereshte Najafi from Iran, and the cool and witty screenprints by Japanese artist Ryo Takemasa, specially the strangely beautiful mosquitoes emerging from a bucket. Inkyng Noh from Korea showed a page where a tiny girl was scooping up all the words with a lawnmower – very clever. There were dozens more, too many to mention – but it’s well worth looking at the gallery of all the selected illustrators from the fair here.

Looking at the European stands was also inspiring – I fell in love with Adieu Chausette by Benjamin Chaud at the Helium stall: the tale of an endearingly passive rabbit with ultra-long ears whose owner plans to abandon him in the woods. I’ll be ordering a copy of that one…

I also went to watch a Q&A with I Want My Hat Back author/illustrator Jon Klassen, who advises the student illustrators he teaches to forget about style, and make all the decisions about the story – and to look at other media not other illustrators (oops).

Later on I met Bridget Strevens Marzo, who was showing her work at the SCWBI stand. I love her Mini Racer book – echoes of Richard Scary but done in a whole new way, and so much detail for small eyes to look at.

Three days in Bologna went extremely fast – but there was still time for several scoops of strachiatella gelato, a few glasses of prosecco and a visit to Bologna’s Medieval Museum – a sort of V&A in miniature stuffed with everything from carved ostrich eggs to a lovely, tiny 15th century bronze of a dog scratching his ear just exactly as a dog would. A fabulous trip with my illustrator friends Jen Miles and Kim Geyer.

I spent the day learning to make a spoon and bowl with silversmiths Howard Fenn and Steve Wager – lots of tapping and hammering and annealing with a blowtorch, dipping in an acid bath.

To make the bowl of the spoon, we had to nest the flat form in a notch in a tree trunk, then delicately hammer in a spiral motion. The room resounded with the rhythm of different people’s tapping.

I then inaugurated the spoon with a creme brulee and the bowl with some wasabi peas – it only fits about three but they’re so hot it’s enough.