
Every year the Association of Illustrators run a poster competition in conjunction with Transport for London. I have never entered before, but this year I decided to give it a go and I am thrilled to say my poster is now in the exhibition of the top 100 entries – on show at the London Transport Museum until September.
The theme was ‘Sounds of the City’, and I used the wonderful website London Sound Survey for inspiration – take a look, it’s full of fascinating sounds and archive clips. It also has a very carefully compiled section on references to sounds in London in print through the ages, and this is where I discovered a news clipping from 1951, about a baby elephant escaping from New Cross Empire. In its panic it ran into a nearby Post Office, causing customers to vault over the counter and stamps to scatter everywhere, trumpeting loudly all the while. The Post Office staff proudly reported afterwards that they hadn’t lost a single stamp. This delightful story inspired my entry, which I made entirely in collage, using letterpress blocks to print the ‘Parrrump’ sound. I even made my own set of stamps!





Wings! is published on September 1 by 
I’ve also sneakily slipped in a few favourite places – when Penguin ‘flies’ with the help of his friends and some string, the background is the golden sands of Oxwich Bay in the Gower, south Wales.
And when he has his moment of despair, it’s against a backdrop of two mountains inspired (somewhat loosely) by Glydr Fawr and Glydr Fach in Snowdonia, north Wales.
My favourite page to make was the one where Penguin finally ‘flies’ in the sea. I spent some time sketching the penguins in the glass-walled tank at 
I love sewing, so it seemed natural once the book was finished to make Penguin into a puppet. Paul, Penguin and I will be appearing at
I’ve just finished a project for
I’ve been writing a lot lately – more than drawing, in fact. One of my new projects is developing an idea for a young fiction series. I’m enjoying plotting in a longer form, which is new to me, and it feels like a luxury to have more than 12 double page spreads to fill with action. It’s interesting to feel my way through the process – I can’t help tackling it visually and have created a pile of charts with notes on colourful scraps and taped-on extensions to try and help pull the different elements of the story together. I’m also playing with how the characters might look, and finding a completely non-digital approach quite refreshing…
